Written and Read for you by Muriel Murch
As dawn broke in years gone by, newspapers would be delivered by a bicycling schoolboy earning a few US dollars or English shillings. The papers were carefully gathered to be opened at breakfast, pages turned with American coffee or English tea – and toast. The news, the gossip, the sports – in green – before finally the cartoons and crossword puzzles were found on the final pages. Now those youngsters are out of a job as television and social media bring everything to us with a click of a button or a swipe of a forefinger. With a nine-year old grandson, I am having a refresher moment of comic book education. It is a good primer for what is playing out on the large and small screens in our hands.

The story lines are remarkably similar; a bully struts into the Oval Office with all his pals lined up behind him. A new boy comes in – quickly mocked for failing to be dressed the same as the bully and his pals. The new boy sits quietly, tries to reason with the bully and holds his own before leaving abruptly, as if chased from the room, but in reality he has left on his own terms. A few weeks later, the bully picks on another visitor. He too held his own with calm dignity. Now, weeks later, both of these men have achieved their aims. President Zelensky has demolished a third of the Russian bombers that were set to attack the Ukraine while, as South African President Cyril Ramaphosa left the White House, his smile reinforced for both black and white South Africans that his diplomacy skills are a strength the whole country is grateful for. This week the German Chancellor, Friedrich Merz, traveled to Washington DC to report back to the European Union. He too saw the symptoms of madness and stayed calm. As the rough-housing erupts in the White House we wait for the next installment to be drawn on the page.
While the comic book gets put aside – I find a gift tucked into my email inbox. A note from Barbara Bos who runs the Woman Writers, Women’s Books website would like a piece on the background of Harvesting History, While Farming the Flats and how I came to write it. This exercise is perfectly timed to answer a question that I pushed aside before it even had a chance to form. Did I answer her question? I’m not sure but this is some of what I wrote about that time in 2014.

It is midday. As many mornings as I can, I spend outside. Farm chores call out: ‘Over here, over here’ with raised wands of weeds, brambles and fences to care for. Fridays are sacrilegiously saved, even called ‘My Friday Farm days’. But I can only manage three morning hours before my body tells me to halt and I come back inside. Clean up, and enjoy a small snack before taking my place, sitting at the Bistro table, beside the French doors, in the main dining room.

This is a quiet room, saved now for big occasions with family or friends, but in this solitary time I take it for my own. The stillness calls me and I welcome it putting my pen to the page bringing immediate and long-past memories together, taking time to talk to the page.
Journal books are on the table. The little blue one – whose innards I change each year – records the past day, the day today, and the things still to do. Lists abound in that book while very occasionally an Idea or Question is also captured. When the three pages of warm-up notes are completed like piano scales, the little blue book is put aside. Two bigger journals, also with soft covers, have big spaces and faint lines. I can only open these when I am alone, for the pen may find memories of its own, spilling its ink over the pages onto the table, and I am frightened that I cannot scoop them back again. My pens also are important. Somedays I pick and choose, wanting something different, possibly a useful pen, even a pencil, or a beautiful one with free flowing ink, gliding across the page like a superb dancing partner. I have a fountain pen, a gift we bought from Rome one Christmas for my mother and which she used for the rest of her life. Sometimes when I write with it, I feel my mother’s encouragement – now flowing more freely through that pen. Each entry begins as a letter to you, whoever and wherever you are, or even a chat, as if we were sitting side by side in a cafe.

I start writing like this, knowing that much of it will not find its way into the final piece. I accept that scribbling is OK, good, it is the compost, heating up the heart, trusting the practice, the craft that hones thoughts into words until they become uniquely mine. There is no final version – until maybe it is published and given to you – a reader. Writing becomes us, as slowly, one gathers a body of work behind one. I remember the first time that I received a postcard back from a Submission, (with a capital S) It was for Mr Tims Morning and Cortney Davis wrote on a card, “Thank you for this excellent work.” She probably wrote that on cards for all the work she and Judy Shaffer collected for their first Anthology of Nurse writing Between the Heartbeats. I still have that note.
Now, two books later, it happened again, Steve Wax had read some of my essays published in ‘The West Marin Review’, then, in a huge cinematic reunion sought me out to say, “I read your essays and they are beautiful”. And so the harvesting began again.
The isolation imposed by Covid and age, helped me turn inward in earnest as I carried those farm journals to London and old memories began to sit beside the farm memories from – well – memory. Only when the essays laid themselves alongside of each other, jostling back through the-time-before, like the loose and falling pages of old photo albums, which must – one day – all be digitized. But until that time I would write about – that – those – times, remembering them in words and stories. Sometimes the words rise like yeast-laden dough, as the memories crowded on the page become kneaded together with imagination.

What does it take to do that? Perseverance, putting the words on the page, taking them up again, moving them around before pushing them back down. There is a reason why in bread recipes we are instructed to knead the dough for 10 minutes until it is soft and silky under our hands. That is how we want our words to be, soft and silky, gliding along the page and into your imagination.
This has been A Letter From A. Broad written and read for you by Muriel Murch



































