Storm Bert

Written and read for you by Muriel Murch with WSM by my side

It took two weeks for the leaves on the elm tree that bows over the entrance to Kingstown Street to turn from khaki to golden then crimson before falling. Now the branches are bare, showing their stark beauty with the strength that comes from age. The grass below is now covered in a soft mulch of leaves from which will come the renewal of spring in the new year.  Across the street, though, the younger ornamental prunes is in a complete muddle. The first chill of autumn crushed the leaves but then a slight shift brought a warm spell and the buds began to swell. Now there are small pink blossoms peeking through dying yellow leaves. 

The second storm of the season – named Bert – pushed into London from Wales but still on Sunday a walk was called for and, wrapped up against the wind, I ventured out. Turning the corner onto Regent’s Park Road a blast of wind hit me and I buckled, tottering like the old lady I have become, before carefully crossing the road. Though it is the first time I have ever seen this, it is no surprise that there is a notice on the closed park gates: ‘The Park is closed today. All being well it will reopen on Monday. We apologize for any disappointment’. Who chose that word? Disappointment rather than the usual ‘sorry for any inconvenience.’ It almost sounds sincere, a touch of kindness and as I walked past the gate a young family came and paused and they were indeed, disappointed. Storm Bert is the second storm to hit these islands. The first was a snowstorm called Ashley while Conall has yet to arrive. Bert hit Wales, Devon and the South West coasts hard, moving into London and the news and, rough as it is, it is nothing compared to the deluge that overtook Valencia in Spain. It was in 1953 that the World Meteorological Organization in the US began giving women’s names to storms and hurricanes. It wasn’t until 1978 that they began to accept that many of the gods of the sea and winds were male and also lose their temper. In 2014 the UK Met Office began to do the same. So here we are at the tail end of Bert, who, like a flat-capped boozer, is weaving about, losing his way going home across the North Sea.

Storm Bert from The Independent

The budget has caused a stir. Well of course it has. Rachael Reeves is the first woman Chancellor of the Exchequer, presenting the first Labour budget in twelve years, and she has gone after the wealthy. Not so much of a problem but she has included the wealthy who do not pay inheritance tax. Through the years of history business men and women have become land owners choosing to pop their pennies into the soil, growing their wealth now along with too much monoculture and wheat, while avoiding their taxes. These are the farmers for whom the land is the investment. Occasionally they can be seen striding about in their Wellington boots pretending they don’t have a bean to rub together. For the small farmers things are different – making a living from mindful farming and husbandry remains as harsh here as in any country. I don’t understand it all and realize that neither I nor the small farmers are supposed to.

This week Kim Leadbeater, the Labour MP for Spen Valley, that follows the river Spen in the West Riding area of Yorkshire is presenting a bill on Assisted Dying. The arrival of Kim as the northern MP was a welcome and resounding relief after some years with Sarah Wood of Reform UK and Laura Evans  a Conservative before her. Kim has brought forward a new and improved bill on Assisted Dying for debate. There are activists and protesters on both sides of this issue, they are heartfelt and driven by strong emotions of fear and love – and yet – past Prime Minister Sir Gordon Brown is calling for a commission on end-of-life care. At four days of age, Gordon and Sarah’s baby girl had an immense brain hemorrhage and died a week later. In a recent article for the Guardian Gordon Brown wrote –     

Sarah and Gordon Brown after the death of their daughter. From the Daily Mail.

“But those days we spent with her remain among the most precious days of my and Sarah’s lives. The experience of sitting with a fatally ill baby girl did not convince me of the case for assisted dying; it convinced me of the value and imperative of good end-of-life care. We were reassured that she was not in pain.”

At this time, as the National Health Service still struggles from the residue effects of the Covid pandemic and twelve years of Tory government what this debate is showing more than ever there remains a huge difference in health care when defined by your post-code address –  once again playing wealth against poverty.

As autumn dons a winter cloak and storm Bert takes itself out into the North sea, these days have led us into musical adventures. I think of Herman Hesse’s short story, Old Music, where he ventures from his woodland cabin – first on foot, then by tram into the city center to hear a cathedral concert of Bach and what it means to him.

These last ten days have given us similar adventures but the music we have been led to is new to us, not familiar and yet all absorbing reaching me in a new way. This is exciting as with age I’m getting a little iffy I don’t hear music in the same way – and yet from the first concert – the last of the Rolex Arts Initiative series – with jazz vocalists Diana Reeves and Song Yi Jenn from South Korea and the New Dot drummers, my heart and body responded. A complete switch around took us to Abbey Road and a film screening of ‘Standing on the Shoulders of Kitties’ joyfully full of Rock and Roll and country music.

Ticket invitation to the screening 🙂

Gently the week ended at a Musical Salon and an Italian Armenian duet of Viols and Voice from Intesa sharing a musical journey through the stages of love. Each concert was so different yet as the drummers marched onto the stage at the Queen Elizabeth Hall they brought the universal dreams carrying the same searching to be heard and I marvel at the music that speaks to us across the world.

This has been A Letter From A. Broad – Written and Read for you by Muriel Murch 

And as always supported by murchstudio.com

Old Music

Old Music.

Recorded and Produced by Muriel Murch with WSM by my side.

The Government party-gate reports are in, and the votes on ‘did Boris Johnson break the rules the government set for us all?’ were cast. 354 ministers said yes, 7 puffed no while a few slippery ones went missing. It is too much all too foolish and for this moment I am closing my eyes and ears. 

Where can we retreat to? In May a visit to The Hague in the Netherlands took us to meet the Dutch artist Theo Jansen who in the 1990’s began – using PVC, bits of nylon robe and old cloth sails – to make creatures – huge toys collectively known as Strandbeests that when caught by the winds run along the beaches, sometimes galloping into the surf if Theo is not quick enough to catch them. Luckily the afternoon was very windy – as well as cold. Watching the play between Theo and our grandson David – the silent wonder of the boy child and the magician’s twinkle in Theo’s eyes it is clear that magic and bewitching sorcery remain a reality.

A Strandbeest takes off with David and Theo following. Photo by WSM

Our artist friend Carey Young has an exhibit in Oxford at the Modern Art Museum entitled Appearance. Carey has a steady and persistent eye on women and the law and the Modern Art Museum – built in a repurposed brewery – is where her show has been for over three months and I really want to see it. The Sunday train was full of students returning to university from a weekend in London. I look at those in our carriage and – catching them at this mid-point of leaving late adolescence and entering adulthood – I’m a little chilled. Are there world leaders, scientists, artists or teachers among them? They are young and we are old and so far I see absorption, self-interest and timidity. A girl sits on her case in the middle of the aisle and nobody can – or even tries to – get past her. She seems supremely unconcerned but maybe holding herself steady with a steel will. I wonder again why Boris Johnson bought his castle – the one with only three-quarters of a moat – here in the outskirts of Oxford.

All three of Young’s videos focus on women’s lives. The first – ‘The Vision Machine’ follows the preparation of lenses for the Sigma corporation in Japan. Though Young wants us to imagine a factory run and maybe owned by women – the grey black and white tones took my thoughts in the other direction. That the women were subservient to whomever owned the factory – and could never be free. Then Carey brings us fifteen British female judges who come to sit and look into the camera for minutes at a time. Where are they looking? At us, beyond? Do they become as reflective in front of the camera as we become to the screen? These images make me deeply conscious of the weight of appearances, on each of these robed women etched into beauty by their lives and work. It is a sobering piece of film that follows on her 2017 Palais de Justice, a key-hole look at Belgium female judges at work. I ponder their power and then their ordinariness. Surely they too go home to cook and care for families.

Two days later as dusk was claimed by night we arrived back at Victoria Station on the almost longest day of the year. Walking along the platform, we were still surrounded by those who have pilgrimaged to Lewes in Sussex and surrendered to the music of L’Elisir d’Amore at Glyndebourne. In Herman Hesse’s short story ‘Old Music’ 

I – Herman Hesse – left my desk, blew out the candle and closed the cottage door behind me. I walked through the woods to the edge of the forrest and caught a tram that took me to the heart of the city. Another short walk to the cathedral where Master Bach raised up his voice to God. And when it was over I returned back through the city to the forrest and home. 

Did Hesse then pick up his pen for the short story ‘Old Music’. Spurned on by the urge to escape the political clamor and noise of the city – our journey was in reverse. 

Glyndebourne Festival Opera began in 1934 only closing for the war years of 1941-1945. The festival is a fixture of the English summer season and for the first time we are going. Glyndebourne House sits in the countryside of East Sussex and those of us traveling by train watch the fading elderflowers give way to the blackberry bushes brimming with white blossoms pass by – heralding a fine harvest – if one can reach the vines. At Lewes Station the train is met by huge double-decker coaches that packs us and our picnics inside like well laid out sardines and swish us through the village. The villagers may grumble but are proud that their country estate has turned to art while providing jobs close to home.

The whole planning and preparation are new to us. My husband declines his old tuxedo opting for his black and brown assembly. But like all the women I opt for a gown – with bling. A friend has gathered six of us together and we lay our picnic contributions on the table for the English way of outdoor dining when the time is right. And the beginning of summer is right. Strawberries are blushing and the peaches softening. The traditional English picnic will find smoked salmon alongside of a bottle of good champagne in almost every hamper. There are other old favorites and a sausage roll or two can be seen. Our table is laid with the smoked salmon, bread and butter, a vegetarian quiche and a giant salad to be followed by fresh strawberries, a fruit salad and cream – with a touch more – there must have been a second bottle of Champagne – all of which disappears during the long interval. The gardens lead to an orchard, the lawns to the lake, meadows and farmland beyond. They are deeply Edwardian and remind my heart of my childhood home.

Tonights performance is of L’Elisir d’Amore by Gaetano Donizetti. ‘Composed in a hurry’ says a note. Well Donizetti composed everything in a hurry, knocking out over 70 operas plus other works before succumbing to the lover’s disease at the age of 51. L’Elisir d’Amore is that old story of love yearned for – thwarted and then after many plot twists and turns – requited – and we loved it.

L’Elisir d’Amore Cast – a moment

On Monday the government has gone to ground hiding behind a heart-wrenching headline accident, the cricket match and the shock- horror – of interest rates being raised – again. 

But our King is working. A book of portraits celebrating the arrival of the first of the Windrush generation in June of 1948 was quietly celebrated at Buckingham Palace. In the forward the King writes, “Thank you. … It is, I believe, crucially important that we should truly see and hear these pioneers who stepped off the Empire Windrush at Tilbury in June 1948” Many of their daughters became nurses and my bedside sisters where they remain forever in my heart. 

The Celebration of Windrush: Portraits of a Pioneering Generation.

This has been A Letter from A. Broad. Written and read for you by Muriel Murch.