Beautiful Beets

The Spring beets laying out on the farmer’s market stalls look lush and inviting. Beetroot has now been elevated to a super good-for-you vegetable. The baby greens are pretty under the bite sized sections of dark crimson roots tossed in with paint-white feta cheese in a salad.
But what happened to Borscht, good old beetroot soup? It appears lost from all but Hungarian restaurant menus. Classic borscht recipes came from Eastern Europe, Russia, Ukraine, and Poland, with various additions of potatoes and cabbages.
But for today’s cookbooks we are urged towards green watercress and sorrel soups to brighten our spring lunches with creamy yellow hubbard and butternut squash soups to warm us in the autumn evenings.

My borscht recipe was probably birthed from Gourmet Cook Book Volume Two an early, possibly desperate, Christmas gift from my husband. But it has been long since tweaked and fiddled with and now I claim this one as my own.

While here in London, as I edit another ‘final’ version of Farming the Flats, I have come to a page that says, insert Beet recipe here. Oh. OK. Back down to the Turkish greengrocer with Monty I go. But as summer gives way to autumn, the dark beets sit cowering beside the bold orange winter squash who are bursting with fresh grown pride. The beets, like the carrots beside them, have had their greens chopped away. The spring greens that were so bright and brave are fading in this late summer harvest.

Harvest on the kitchen counter

I pluck:
4 beets
2 carrots
1 onion
from the boxes and bring them home where I already have
Bay leaves, sage, thyme and chives from the garden.
Olive oil, salt, pepper, caraway and cumin from the cupboard
Chicken or vegetable stock from the freezer.

Now it is simple soup making.
Parboil the beets in their skins then lift the beets into a bowl to cool.
Strain and save the beet water. Some recipes call for throwing out the beets or the water which is ridiculous. The water only needs straining to remove any left over farm soil and grit.
While the beets are cooling heat the olive oil in a big saucepan,
Add the chopped onion to sweat slowly as you peel and slice the carrots.
(You will notice this recipe is 2 beets to 1 carrot).
When the onion is a sweet yellow add the chopped carrots and then
the caraway and cumin to taste. I’m heavy on both of these.
Stir for a while until the carrots are glistening.
Any wine in the fridge? A glug glug can go in now.
Stir some more and then add the thyme, bay leaves (At least 2) and sprig of sage.
Salt and pepper now as you like it.
When you feel the flavors have been properly introduced then pour in the stock.
Bring to a simmer and cook until the carrots are soft.
Time to slip the skins off of the beetroots, give them a rough chop and add to the mix.
Do you need to add more liquid? If so you have the beet water on hand.
When this is all cooked up nicely, twenty minutes or so, turn off the heat.
Put on the saucepan lid and go and do something else for at least an hour.
Only then come back and fish out the bay leaves, thyme stalk and sprig of sage.
Put the saucepan somewhere low, in the sink maybe, and blend the soup until there are no lumps.
How does it feel? How does it taste?
I like a firmish consistency and to be able to taste the caraway with a hint of cumin
Adjust the liquid with more beet water and flavor with seasoning.
The soup is ready now but will be better still after sitting a little longer.
Because borscht is Russian and Eastern European most recipes call for potatoes rather than carrots and a topping of thick Greek Yogurt.
But since I cooked this in London I used a dollop of fresh Devonshire cream before sprinkling on the chopped chives from the garden.
And the little glass of wine? Well I didn’t put all of it in the soup, just a glug, not two.

Soup supper for one

Nurse’s Day 2017

Today is May 6th, the beginning of Nurses Week in North America which ends on May 12th, the birthday of Florence Nightingale, and, since 1974, is celebrated as International Nurses Day.

1963 Prize giving @ Royal Surrey County Hospital, Guildford

Though I will not be buying any Hallmark cards for my nursing chums, I am thinking of my comrades and sisters who are my fellow nurses. Those friends we made, bonded in student years with the sharing of patients as we changed ward rotations; the remembrance of patients who were dear, beloved, or cantankerous, those we recall as much by attitude and character as by disease, those births celebrated and deaths honored. Then there were the working years before reentry to university bringing new adult companions, both student and teacher. Now, in this final quarter of life, I have found a sisterhood of nurse writers and poets. Some still work at the bedside of, or in the clinics with, patients – others teach, and all of us remain nurses within our communities and families. We write of the past, distant and immediate, bringing disease and care into the present.

Nurse Poets reading in Charleston 2016, Veneta Mason, Cortney Davis, Muriel Murch and Jeanne Bryner


We are lucky to have found each other and are grateful for the collectors among us: Cortney, Judy and now Jeanne who gather up our words, harvest them to reseed the bare virgin soil of tender young hearts. We write from different geographies of the Americans and the world. Jeannie Bryner from Ohio, Cortney Davis from Connecticut, Venenta Masson from Washington DC, Judy Schaefer from Pensilvania, Madeleine Mysko from Maryland, Patsy Harman from West Virginia.

Before I left California, I took from my bookcase the written work of my nursing friends. It is an impressive display of non-academic writing from professional women and men, and grows each year.

Within my bookcase

In 2018 Kent State University will publish another anthology of nurse writing, ‘This Blessed Field.’ Within this anthology are stories from young nurses, our stories, sharing our innocence with the new nurses of today helping to guide and comfort those following in our footsteps with the light we shine for them.

Each year on May 12th a church service is held in Westminster Abbey in London and at St. Margaret’s Church at East Willow in Hampshire. Wikipedia tells me that during the service, a symbolic lamp is taken from the Nurses’ Chapel in the Abbey and handed from one nurse to another, thence to the Dean, who places it on the High Altar to signifies the passing of knowledge from one nurse to another.
I will be in London that day and will go to the Abbey.

Glasgow Bound

Beatrice presenting her book at the Feria del Libro in Buenos Aires

Beatrice presenting her book at the Feria del Libro in Buenos Aires

Taking a night train tonight from London to Glasgow. A new adventure for The Bell Lap and I as we go to the Royal College of Nursing Congress and Exhibition 2016Wisepress is featuring The Bell Lap at 11.20 am through noon on Tuesday June 21 (stand number A9). I have no idea what to expect – a big convention hall and masses and masses of people wandering about. Hopefully some folks will have tired feet and want to sit down and listen to a story or two. Thinking of Beatrice when she presented her book on the A-line subway in Buenos Aires in 2014.

From Wards to Words and Back Again

It was 1995 when Between the Heartbeats Poetry and Prose for Nurses was first published by the University of Iowa State Press. Conceived and edited by Cortney Davis and Judy Schaefer, this was the first Anthology of Creative Writing by Nurses, gathered from around the world.

Heartbeats at Chapters Bookstore DC

Between the Heartbeats writers at Chapters Book Store, Washington DC, 1995

 For many nurses it was the first time our medical writing had been accepted for publication. That summer as many of us who could, maybe twenty out of fifty contributors, came to Chapters Book Store in Washington DC for our first ever reading. This coincided – not unintentionally – with the annual general convention of the American Nurses Association. The evening was exciting, scary and thrilling. Scary because we were reading our own work and thrilling because we were hearing the words and work of other nurses. All of us facing the same direction, our voices so different and yet so deeply in tune with each another. There was an audience, listening, applauding and asking questions. One man spoke up, “Wow, this is amazing. Can’t wait for when you present this to the ANA”. We were all silent before Cortney, in her calmest most diplomatic way, (her speciality) replied, “Actually we won’t be at the convention. They don’t want us and won’t let us present the book there.” Among the audience were nurses who would be at the convention. We were all stunned, silenced and sobered that those nurses for whom we wrote did not deem our words necessary or supportive of their work.

As nurse writers we came together for that weekend forming a tight union of sorts, loosely knit, tendrils of thought, vision, each of us seeing and transforming through words, our patients in the wards, clinics and communities we serve. Since those early years we have continued to write, sending each other our books, reviewing and commenting for each other, hosting nurses writers on the radio and spoke of our work to audiences wherever we could.

Coming together was always a chancy affair but we get our moments. Two years ago The Medical University of North Carolina held its first “Narrative Bridge Conference”. Five of us, Jeanne Bryner, Cortney Davis, Veneta Masson, Judy Schaefer and myself, made it there for the long weekend;. We were billed as “The Nurse Poets” and that is what we have become. Through the years more books of poetry, prose, creative non-fiction and novels have been written and published and within the ‘about the author’ description the word “Nurse” always leads. This is who we are, this is where we speak from, whenever and wherever we can.

It was Lisa Kerr from the MUSC school of nursing who again called us together this year. Lisa wrote asking if we could come, not only to speak to the faculty and students of the nursing school but that there could be an opportunity to perform as The Nurse Poets in the annual Piccolo Spoleto Arts Festival at the Dock Street Theatre. New books had been published, among them, Jeanne Bryner’s poetry Smoke, Cortney Davis’ When the Nurse Becomes a Patient, which won an American Journal of Nursing Book Award for 2015 and my 2016 The Bell Lap Stories for Compassionate Nursing Care were all hot off the press and we were eager to share our work. I was ending a roll-out with The Bell Lap, coming down from New York and a launch at the National Arts Club with the great cartoonist, and tonight – host – Roz Chast whose book about the final years of her parent’s lives Can’t we Talk about Something More Pleasant, remains a best seller.

A little help with the night before prep.

A little help with the night before prep.

It was – is – fun to be on the other side of the microphone. This was a first for Roz who is more used to being questioned about her work, and almost a first for me, being more used to asking those questions. With her questions and comments, memories surprised me and in the quickness of the moment words did not always take the long route – through my brain – as they rushed from my heart to my mouth. Maybe it was not the smartest thing to recall ‘my first leg,’ after Roz’s question about my failed operating room experiences. And so we learn. Beloved friends were there and I was more than grateful to see nurses in the audience, plus a doctor or two. Paul Gross and Dianne Guernsey who co-edit Pulse Magazine “Voices from the Heart of Medicine” came in on the train, Cousin Tom rode the bus from Cap Cod and nurse colleague Gerry Colburn traveled in from New Hampshire.

Tony and Peter and MAM

A Hug from Tony and Peter After it is all over.

It was a great evening and gave me the needed boost and courage to fly down to Charleston and join the band – not yet a rock band – The Nurse Poets.

Four of us had made it and it was grand to be together. Jeanne had driven for two days from Ohio. Cortney flew from Connecticut, Veneta from Washington DC and I from London, via New York. At breakfast we celebrated with coffee and grits. We quickly shared our stories, families, the agonies of book promotions and knowing as all women of a certain age do, that we will continue to balance these lives until illness, infirmity or death claim us.

At noon, under Lisa’s guidance, we spoke at MUSC nursing school for more faculty than students but how eager they all were, how they knew the importance of story, the lives led before and beyond the illness of the patient. Then an afternoon break before being driven past the Emanuel Church where flowers are still laid out daily in remembrance of last years tragedy to an early supper of fine southern food. (Where oh where do I get the real recipe for Green Fried Tomatoes?)

Then we walked to the Dock Street Theater where the audience was already gathering for our evening performance. The theatre is nestled in a small courtyard, intimate and perfect for poetry readings. The seats filled quickly and chairs were added along-side the cloisters until there was standing room only. We sat, warm but not hot, under the evening sky. Our time was tight, and so were we. Introductions by Barbara, the organizer of the festival. then Lisa, organizer of us and then, following each other in alphabetical order, we were on. Each of us brought our full-to-overflowing hearts to the mics and poured out our words. Jeanne watching family, Cortney and Veneta their clinics, and I from the wards and communities before returning to nursing school with an excerpt from The Bell Lap.

Veneta Masson, Cortney Davis, Muriel Murch, Jeanne Bryner

Veneta Masson, Cortney Davis, Muriel Murch, Jeanne Bryner

The audience rose to applaud these words that came from our hearts and our memories. Why did they love us so? We were good 🙂 yes but was it just the words, or was it the knowledge that with these words they know we have seen them, as people before patients. We have marked and held them in our hearts and returned them to themselves, thus received and healed, if not cured. Giving this audience an understanding that as these words have come from the wards to them they may also return to the new young nurses of today.

Jeanne, Miriam from L.A., Venetta and Muriel

Jeanne, Miriam (The next generation), Veneta and Muriel enjoy the reception for The Nurse Poets.